The one big advantage the disk service had over streaming, was that Netflix could buy the disks from anywhere (even the local Walmart, if they had to), and lend them to customers.
Streaming requires negotiating licensing rights, with each IP owner independently.
This is why the DVD service had so many more titles than the streaming service. At least when I was actively using it.
> This is why the DVD service had so many more titles than the streaming service. At least when I was actively using it.
It still does. Just think of a movie or show and search for it, and they'll probably have it, although they seem to be missing the occasional season.
I think the DVD site would still be popular if more people were aware of the size of its catalog. Most probably assume it has the same catalog as the streaming service.
I think it would be popular if they even attempted to grow that arm of the business. Netflix made it obvious they had zero interest in it when they tried to spin it off into Qwikster.
It's the quality of the image for me. I remember when DVD looked phenomenal (because compared to broadcast and VHS it was) but now it feels barely watchable.
Some films are just not available for streaming. I used the Netflix disc mailer service relatively recently for this reason. It was a pretty good "catch all" for hard-to-find titles not on one of the major streaming subscription services and not available for streaming rental.
> There's so much more on the DVD service than the streaming side
This is something I've wondered about. I've never subscribed to either CDs or streaming but my impression of streaming is that there are hundreds of movies not tens of thousands. Wikipedia says that in 2005 Netflix had 35,000 different movies on disk, presumably many more by now. How many different titles does Netflix streaming have for the USA service ?
Interesting, thanks. I certainly don't know this but my impression is that outside of the US (specifically in New Zealand) the Netflix catalogue would be significantly smaller than that, around 1/10th of both categories ? ... this is just based on sitting in hotel rooms thumbing through the menu so it's possible my sense of what's available is off.
Netflix puts you in a bubble very quickly, and unless you specifically search for titles outside it you might not notice that a lot of the available titles never show up in any of the menus.
I purposefully create multiple Netflix profiles for myself to avoid that bubble. When I notice I keep seeing the same titles or when I notice one genre is taking over (started watching anime on Netflix recently - bad idea, every row is now nothing but anime) I make a new profile to start fresh. Usually find tons of new things I was missing out on.
Your local public library likely has a decent selection of movies on DVD and with inter-library loan they can probably get you just about anything you want. I’m in the midst of transitioning my Netflix DVD queue into a list on the library’s catalog and thusfar, I’ve only had one movie/TV show (Rammbock) not show up in the local library system’s catalog.
California folks, worth knowing is that most (if not all) library systems in California will give a card to anyone with a California ID, even if they don’t live in district. When I lived in Santa Monica, I had cards for Santa Monica, LA County, LA City, Orange County and Beverly Hills.
Your local public library likely has a decent selection of movies on DVD and with inter-library loan they can probably get you just about anything you want.
My previous city library was a pretty good supplement to Netflix. But my new city only has new stuff. An only does inter-library loans for printed material.
West coast libraries are unusually well stocked for DVDs because occasionally (before streaming) a movie or other entertainment company will get caught doing some minor misdeed, and was able to pay the fine by dumping DVDs on rural library systems.
I finished my transition from a dvd netflix queue to creating a list on the local library system’s online catalog. I’m in suburban Chicago and of the 149 titles (a bit more when measured in DVDs) in my queue, only two were not available (The Secret Policemen’s Last Ball and Rammbock). I would have kept doing my $7.99 a month for potentially forever, but the announcement managed to get me to empty my queue a lot faster.
There's Redbox for newer stuff, libraries, purchasing new or used, and piracy. Which maybe sounds like a lot but adds up to there's no service where you can just subscribe monthly and rent pretty much anything in print with a search and a mouse click as used to be the case with Netflix. So you're not exactly SOL but there's a lot more friction now and I expect a lot more people will just shrug and watch whatever is available for subscription streaming (as a lot of people won't even buy a la carte streaming).
It is very sad. I still use the DVD service more than the streaming service simply because most of the content I want to watch isn't available streaming. The back catalog on Netflix gets smaller every year as publishers move content off to their own services, or to deliberately withhold it.
I only use the disc service (yeah, I'm the one!). Too bad. The wife and I were trying to get through the "1001 Movies to See Before You Die". Although, the truth is, Netflix has maybe only about 80% of them.
When I first got Netflix, I spent a couple years watching everything from the IMDB top 250 that I hadn’t seen. There were a handful of movies that Netflix didn’t have that I ended up getting (on VHS!) from the local library. I would recommend checking the library for your gaps in the list.
In fact plenty of the movies you and I have probably already seen ("Easy Rider", "2001: A Space Odyssey", "The Graduate" for example). So perhaps even before I began going through the list I may have seen 20% or so.
But there are also a lot of early films from the 1930's I had not seen, and plenty of foreign films. In fact, now that I'm working through the 1970's, "foreign films" is more or less the rule.
Sadly the foreign films are the ones hardest to find both on Netflix and at the local library.
it was more fun, too. Something about the queue system and the fact it was paused until I returned the DVDs I had prompted me to watch more things I hadn't already seen. I tend to default to comfort watching with streaming or endless "I'll watch that later" cycles. There was something of the 'discovery' process of the video rental stores still in netflix.
The site also still had a social component back then with star ratings, lists, you could see what your friends were watching and comment. There was almost a goodreads vibe to parts of the site - it was fun.
It's kind of the paradox of choice. You knew you had one thing to watch and that was it. If something was interesting, you stick it in the queue and get to it when you've watched the other stuff you already head. And it was exciting to wait for something in the mail. There was anticipation.
This is why I think it was smart they started releasing content weekly instead of all at once. Give people a chance to build excitement and talk about something.
Agreed. Back with netflix and redbox I would rent movies and watch them to the end because it is what i had. Now, I see the first 15 minutes of 100 movies a year and might complete 10.
I'm pretty sure that's not true - most normal DVDs/BluRays come with a "not for rental" text somewhere and you can't legally rent them. Distributors sell different copies of discs which specifically are for the rental market and which come with a different licence.
That feels like a situation that would only affect the "first sale" at most. Unless you sign a contract to that effect, I don't think it holds. Book publishers tried this with "Only for sale outside the USA" but Supreme Court shot that down.
I think it depends on the country. My Japanese discs have レンタル禁止 (rental forbidden). My North American discs do not. European discs seem to have "Not for rental".
Not true, they are legally rentable for profit without a contract. Redbox has stated on the record that they have done it sometimes when there were tense moments with movie studios. Blockbuster used similar provisions. It's called the First Sale Doctrine which applies to all physical products, but not necessarily digital products.
It is, however, not legal to rent CDs in the US. Because the US is weird.
The way the law works is that intent matters more than the actual written word. Even if the law explicitly says "renting needs a licence but resale is fine" you wouldn't get away with a "loophole" of saying "ok you're really buying a disc from us for $10 and then we buy it back from you after a week for $5" because it's clear that you're just doing renting with extra steps. It wouldn't survive any judicial scrutiny.
VidAngel tried this. They sold movies for $20, bought them back for $19 when you were done, and then streamed the video to you in the meantime. $1 streaming video rentals, for movies that weren't available anywhere online.
Their main problem, IIRC, was that they broke DMCA 1201 to crack the encryption on the disc, edit the contents of the movie, and then stream the movie back to the customer; unless the customer requested the disc back.
It wasn't the buying and reselling. It was the editing and digital lock picking.
There was a similar case where some NY-based startup had thousands of small antennas and DVRs, so you could stream NY TV, and in theory the entire pipeline was being just rented to you.
Went to the Supreme Court, and they got owned. Company was shut down.
IIRC the trouble came down to the notion of retransmission (thus copyright violations). The argument that it was being sent to just one customer was not really accepted by the justices I think.
I'm almost positive that Netflix had a licensing agreement to print as many discs as they needed after a while. After the first few years, the number of "branded" discs with the silkscreened movie logos dropped dramatically.
Yes, that change happened early on. They could print DVDs on demand at negligible cost to Netflix and in return the studios received a fixed fee per rental instead of a fixed fee per DVD.
A major problem was the high breakage rate for the DVDs they were renting. This created issues with the supply chain of new DVDs to replace broken ones since DVDs are not considered continuously consumed, disposable products. Additionally, it made it easier to manage the bursty nature of demand for particular DVDs since you no longer had to optimize the economics around the number of rentals per physical DVD.
Sure, but that's because the threat of "just buying originals" existed. Publishers had to choose from "be paid some money, and Netflix gets a deal on copies of movies," or "be paid zero money, and Netflix pays extra to scrounge up copies of those movies from somebody else." Netflix (and movie viewers) get what they want either way, so the publisher can't just hold firm on a high price or block distribution of the film.
Licensing deals are a great way to get around contract items that include volumes of "sold copies." Netflix didn't exactly have them over a barrel. It was a good deal for both parties.
Well, the studios never really had a problem with Netflix as a DVD rental company and were usually happy to supply them discs. Netflix's pricing model didn't cut into the immense profit studios were starting to see from the home entertainment boom (which was tied to DVD as a medium) and if anything, they had a massive bulk buyer. Plus, for the first five or six years, Netflix was way smaller than the Blockbuster. Studios knew that if The Matrix or Lord of the Rings or Star Wars Episode 1 or whatever was released and people wanted to watch it immediately, they would buy it rather than waiting for it to be available from Netflix (or Blockbuster or Hollywood Video). Meanwhile, they could use Netflix as a longtail way to sell bulk discs of titles that might not do tremendous retail numbers. Plus, as fast as Netflix was, there was still a delay of a few days between requesting a movie and getting it or returning one and getting another. For a new release, you'd be just as likely to try to buy it if you absolutely had to see it that weekend.
It was Redbox that got the studios on the ropes. Not only were home entertainment revenues dropping because of over-saturation, a bad economy, and burgeoning digital rental options -- and these were revenues the studios had started to rely on and build into their budget forecasting for films that would often only become profitable after a successful home release -- being able to get a new release for $1 from a kiosk (a kiosk that can store 500 copies and might be loaded up with just the top X new releases) and then returned and re-rented within 24 hours, that was a problem. Because now I don't have to pay $15 for that movie I'm not sure I'll ever watch again and that will clutter up the living room, I can just drive up to the grocery store or the gas station or whatever and grab a disc and go. And a website will tell me where the disc is available if it's out at the place up the street. And it's $1 and I can just return it right after I watch it. $1 rentals was a threat, but Netflix never had that pricing. They were like $7.99 for one out at a time and then it would go up from there.
But the studios didn't have a problem with Netflix and in the early years, were probably able to get better terms (for the studio) with them on bulk purchases than they had with Blockbuster.
Studios didn't start to have to grapple with Netflix until Netflix signed its landmark deal with Starz, allowing it to stream Starz's catalog of content (there was no provision in the Starz contract with studios that disallowed offering a digital streaming option -- future contracts obviously added those clauses but that would take several years to expire), thus truly making good on Reed Hasting's vision of having the internet deliver movies.
And even then, the relationship was adversarial but also somewhat necessary from both sides, because Netflix needed to license content for its library, and studios needed that sweet licensing revenue (at least before Netflix started to create its own content that competed directly against the studios).
That's not true in the US. This was true in the VHS days, where home video and rental releases were separate, but in DVD and Blu-rays, there has never been a distinction. First sale doctrine means you can't limit what someone else does with the product. They can rent it out or resell it. However, studios would only release a limited amount of product on "home video," priced at $19.95 or whatever, versus the $89.95 or higher list price for films that were only available through distributors as "rental" copies. I remember as a kid sometimes getting the local video store to order me a copy of a tape that I would then pay full price for because it wasn't available otherwise (more often than not, this was what two VCRs were for, but I digress).
That changed with DVD, where the studios stopped differentiating and went direct-to-consumer.
The proliferation of DVDs without the need for a distinction between home video and rental is part of what led to the decline of video stores (in addition to the real threat, which of course was streaming) because consumers could buy their own movie collections instead of renting them for $5 for 2 nights or whatever Blockbuster used to charge. I became an avid DVD collector as a teenager in the peak DVD era (1999-2003) and a combination of unsustainable online stores (many that were dead by 2001) selling DVDs at rock-bottom prices (even during release week) and Blockbuster's lackluster selection led to me getting a Netflix account in 1999 (thanks, mom, for the credit card!) and then building my own collection of what would become thousands of titles, rather than rely on the chains. I still have a great affinity for local video stores and support my OG hometown video store (Videodrome in Atlanta) and Scarecrow Video in Seattle, b/c curation is key.
Now, when the DVD boom flatlined in the late 2000s, three of the major studios refused to sell directly to Redbox until 28 days after a tentpole got a home video release because they worried about kiosk rentals cutting into their home video revenues (which at this point, had often started to overtake or match theatrical revenue), but Redbox got around that by just buying through other distributors or buying out Walmart, Best Buy and Costco stock. They also sued the studios that were refusing to sell to them directly. The reason the studios went against Redbox was because Redbox undercut them by offering rentals for $1 a day and most people (obviously not me), stopped collecting movies.
But again, the first sale doctrine means that they can't require anyone to buy a different version. This is the same with book publishers. They try to strongarm libraries into buying library copies of physical books but the truth is, if a library needs a book or needs more copies, they can buy them from Amazon or a bulk distributor all the same.
Redbox probably had a specific agreement with the DVD creator to buy in bulk at a discount. You are free as a business to have special terms that restrict your rights when you buy from a vendor
Redbox had a similar setup, but some companies like Disney would not sell them disks in bulk. So instead they bulk purchased Disney movies, which also included a digital code to redeem the movie online. Redbox sold those as well. Disney sued and they went back and forth until Redbox stopped selling codes [0].
> was that Netflix could buy the disks from anywhere (even the local Walmart, if they had to), and lend them to customers
Is that actually true ? I thought buying a disk and then lending it for money was a breach of the copyright ... isn't that pretty much what that big block of text says at the start of every disk delivered movie ? At least where I live !
No, buying a physical disk gives you rights to lend that physical object. The warning says you are not allowed to make copies. That is one anti-consumer aspect of the shift to streaming media. With physical discs netflix could build a sharing business without permission from anyone. With streaming the corresponding thing is illegal.
I remember DVDs coming with a message before the main feature asking you to call Fox if you had rented the DVD instead of purchased it so they could crack down on unauthorized distribution.
Is that correct? You need to have an agreement with the studios to rent out videos by mail. It might not be the case at mom-and-pop video stores, but Netflix had a website offering a catalogue and national distribution. That puts them in Blockbuster territory.
I am not sure that Prime is charging per stream for most of their content. (Some specific content under a particular program is charged this way but I cannot remember the name of said program)
Frankly I think that for innovation it is mandatory to break the vertical integration media conglomerates or create some form of mandatory licensing for content.
This is most certainly not the case. Rental licenses are their own thing and usually get their own media stock. For DVDs, the discs usually had basic monochrome screen printing and came in paper sleeves that would later be processed into rent-able form.
Nope, you only need a rental license to get copies of movies to rent out before they are available to purchase (and the contract for those often made you agree to only use rental licenses for any movies from that publisher). If your rental business is content with always waiting for DVDs to be released to the public then yes you can rent out any legally purchased DVDs by the right of first sale.
Correct -- and studios decided to go direct-to-consumer in the late 1990s, realizing they could sell way more discs for $14.99 (often sold for $9.99) to the general public than they could sell $50 discs to rental shops. Plus, the technology allowed studios to digitize their back catalogs that had never had home video releases, opening up a new revenue stream that would last another decade until over-saturation and the recession stopped growth (the HD-DVD vs Blu-ray battle didn't help) and consumers transitioned very quickly from VOD/digital purchases to streaming.
When direct-to-consumer happened, there was typically not any difference between when a large rental chain got a disc and when I could pick mine up on Tuesday morning at Best Buy (or get it in the mail, sometimes arriving the day before) or wherever.
Some chains like Blockbuster did sign rental agreements with studios both because of the bulk orders they needed and because for a few years, Blockbuster had to stock VHS tapes AND DVDs and the studios would basically make them sign those agreements if they still wanted to get VHS tapes -- but nothing stopped them from carrying the home release versions from retail if a rental copy was not available. And as you say, nothing stopped the indie shops from buying Tuesday morning at 10am and then immediately putting them out to rent.
Right of first sale lets the buyer rent out discs. No matter what publisher/studio cartels might tell you, no licensing from the publisher is required. This doesn't preclude the existence of specially packaged "rental" discs but Netflix is not and has never been limited to those.
There is one, in the sense that the law states you cannot use the digital contents any way you like - you can only use the digital contents for your own personal, home use.
However, the physical disk is protected by First Sale Doctrine. You can sell it, rent it, auction it, destroy it, whatever you want. The same applies to, say, your laptop. You can do whatever you physically want to your laptop, even if you can't copy your Windows license wherever you like.
Streaming requires negotiating licensing rights, with each IP owner independently.
This is why the DVD service had so many more titles than the streaming service. At least when I was actively using it.