> The subpixel layout of OLED screens is different than the the traditional layout, so text ends up looking pretty bad. Patching ClearType would be the first step to fixing this issue.
Patching ClearType is unfortunately not as straightforward as it should have been. In an ideal world, you just change the sampling kernel your rasterizer uses to match the subpixel layout (with perceptual corrections) and you’re done. In our world, it takes hackery of Lovecraftian levels of horrifying to display crisp text using a vector font on a monitor with a resolution so pitiful a typographer from centuries ago would have been embarrassed to touch it. Unfortunately, that ( < 100 dpi when 300 dpi is considered barely acceptable for a print magazine) is the only thing that was available on personal computers for decades. And if you try avoid hacks, you get more or less Adobe Reader’s famously “blurry” text.
One of the parts of that hackery is distorting outlines via hinting. That distortion is conventionally hand-tuned by font designers on the kind of display they envision their users having, so in a homogeneous landscape it ends up tied to the specifics of both ClearType’s subpixel grid (that has been fixed since 2001) and Microsoft’s rasterizer (which is even older). Your sampling kernel is now part of your compatibility promise.
The Raster Tragedy website[1] goes into much more detail with much more authority than I ever could lay claim to, except it primarily views the aforementioned hackery as a heroic technical achievement whereas I am more concerned with how it has propagated the misery of 96 dpi and sustained inadequate displays for so long we’re still struggling to be rid of said displays and still dealing with the sequelae of said misery.
> Unfortunately, that ( < 100 dpi when 300 dpi is considered barely acceptable for a print magazine)
I find this fascinating, because I recall school textbooks having visible dots, but I'm yet to experience what people refer to as "oh my god I'm seeing the pixel!".
It further doesn't help that when seated at a typical distance (30° hfov) from a ~23" 16:9 FHD display (96 ppi), you get a match (60 ppd) for the visual acuity you're measured for when an optometrist tells you that you have a 20/20 eyesight.
It's been of course demonstrated that eyesight better than 20/20 is most certainly real, that the density of the cones in one's eye also indicates a much finer top resolution, etc., but characterizing 96 ppi as so utterly inadequate will never not strike me as quite the overstatement.
As far as I know, visible dots in color printing are usually due to limitations on the set of available colors and limited precision with which the separate stages that deposit those colors on the sheet can be aligned with each other, not due to the inherent limitations on the precision of each of those color layer. You get dots in photos, but not jagged lines in your letters. And 300 dpi is what your local DTP / page layout person will grumpily demand from you as the bare minimum acceptable input for that dithering, not what the reader will ultimately see. One way or another, 96dpi pixelated (or blurry) text in e.g. an illustration in a printed manual is really noticeable, and miserable to read in large stretches.
A more precise statement is perhaps that 96dpi is much too low to use plain sampling theory on the original outlines to rasterize fonts. It does work. The results are readable. But the users will complain that the text is blurry, because while there’s enough pixels to convey the information on which letter they are looking at, there are not enough of them to make focusing on them comfortable and to reproduce the sharp edges that people are accustomed to. (IIRC the human visual system has literal edge detection machinery alongside everything else.)
And thus we have people demanding crisp text when the requisite crispness is literally beyond the (Nyquist) limit of the display system as far as reproducing arbitrary outlines. Sampling theory is still not wrong—we can’t do better than what it gives us. So instead we sacrifice the outlines and turn the font into something that is just barely enough like the original to pass surface muster. And in the process we acquire a heavy dependency on every detail of the font display pipeline, including which specific grid of samples it uses. That’s manual hinting.
Seriously, leaf through the Raster Tragedy (linked in GP) to see what the outlines look like by the time they reach the rasterizer. Or for a shorter read, check out the AGG documentation[1] to see what lengths (and what ugliness) Microsoft Word circa 2007 had to resort to to recover WYSIWYG from the lies the Windows font renderer fed it about font metrics.
As for seeing pixels—I don’t actually see pixels, but what I do start seeing on lower-res displays after working on a good high-res one for a week or so is... lines between the pixels, I guess? I start having the impression of looking at the image through a kind of gray grille. And getting acclimatized to (only!) seeing high-res displays (Apple’s original definition of Retina is a good reference) for several days really is necessary if you want to experience the difference for yourself.
> Patching ClearType is unfortunately not as straightforward as it should have been. In an ideal world, you just change the sampling kernel your rasterizer uses to match the subpixel layout (with perceptual corrections) and you’re done. In our world, it takes hackery of Lovecraftian levels of horrifying to display crisp text using a vector font
Can you explain why that is? Is it a bed Microsoft made or something more intrinsic to font rendering generally?
> whereas I am more concerned with how it has propagated the misery of 96 dpi and sustained inadequate displays for so long we’re still struggling to be rid of said displays and still dealing with the sequelae of said misery.
Well, Apple found a solution that works with web and print - and the font( file)s are the same. What's the secret stopping Microsoft from going the Apple route, other than maybe backwards compatibility?
> What's the secret stopping Microsoft from going the Apple route, other than maybe backwards compatibility?
Better monitors (what they call Retina). Older pre-Retina screens render them faithfully, which means that the text is (a bit) blurry. This is the poison that needs to be chosen (there is no way around this), Microsoft prioritized legibility while Apple prioritized faithfulness.
Raster Tragedy should have been called the Raster Disaster. Mostly because I keep calling it that and looking for the wrong thing every single time I want to link to it.
Patching ClearType is unfortunately not as straightforward as it should have been. In an ideal world, you just change the sampling kernel your rasterizer uses to match the subpixel layout (with perceptual corrections) and you’re done. In our world, it takes hackery of Lovecraftian levels of horrifying to display crisp text using a vector font on a monitor with a resolution so pitiful a typographer from centuries ago would have been embarrassed to touch it. Unfortunately, that ( < 100 dpi when 300 dpi is considered barely acceptable for a print magazine) is the only thing that was available on personal computers for decades. And if you try avoid hacks, you get more or less Adobe Reader’s famously “blurry” text.
One of the parts of that hackery is distorting outlines via hinting. That distortion is conventionally hand-tuned by font designers on the kind of display they envision their users having, so in a homogeneous landscape it ends up tied to the specifics of both ClearType’s subpixel grid (that has been fixed since 2001) and Microsoft’s rasterizer (which is even older). Your sampling kernel is now part of your compatibility promise.
The Raster Tragedy website[1] goes into much more detail with much more authority than I ever could lay claim to, except it primarily views the aforementioned hackery as a heroic technical achievement whereas I am more concerned with how it has propagated the misery of 96 dpi and sustained inadequate displays for so long we’re still struggling to be rid of said displays and still dealing with the sequelae of said misery.
[1] http://rastertragedy.com/